How To Crack The Facade In Any Copyright Monopoly Discussion

[shamu726]

Most people have not had any reason to question the copyright monopoly and its claimed perfection. Help break the facade and the illusion by making a small crack, to help people start questioning the rest of it for themselves.

 

 

In my last column, I explained how the copyright monopoly is fundamentally incompatible with private communications as a concept, and how we must weigh a silly distribution monopoly for one of many entertainment industries against such vital functions of society as whistleblower protection, freedom of the press, and the ability to hold a private conversation in the first place. While this argument is strong, it does require a bit of intelligence and the ability to see how two ideas conflict, so it can be hard to get across to copyright monopoly pundits.

 

The threat against private communications isn’t the only thing wrong with the copyright monopoly, of course. I have previously argued here on TorrentFreak that there’s really nothing defensible about the monopoly at all. But in order to break the spell of “publishers have always told me that the copyright monopoly is good and I have never had any reason to question their self-interest in the matter”, there are other tricks of honest, effective argumentation.

 

While it’s possible to attack the copyright monopoly construct from many angles – all of them, in fact – some fruit is more low-hanging than others. One easy angle is to point at the usual (horrible) motivation of the copyright monopoly; that it “enables creators to make money” (which is factually false, misleading, and dishonest). If you’re talking to a monopoly pundit, or just somebody who hasn’t had reason to question the monopoly, this point will come up sooner or later.

 

Once this point comes up, it’s an open goal. To make sure you understood the point correctly, reiterate back; “So your point is that they should be rewarded with a monopoly to make money, in order to give them an incentive to create more art?” Any monopoly pundit will nod enthusiastically.

 

Then, score the goal. “So why does the monopoly last 70 years after the author’s death? I don’t know of a single author who keeps writing books after they’re dead and buried. The copyright monopoly term is at least 70 years – a whole lifetime – too long. And if it is that obviously 70 years too long, then it’s absurd in the first place.”

 

Occasionally, you’ll see some fightback that their children and grandchildren and great-grandchildren should inherit the privileges of the author, which you can easily refute by pointing out that the purpose was already agreed to be an incentive for the artist to create more art, not for their children to get privileged at the expense of others.

 

Once you have established that the copyright monopoly term is indefensively long – at least a lifetime too long – then the facade of pretend perfection is broken. If something as fundamental as that can be questioned, and it can, then everything else is also up in the air.

 

Have fun making the pennies drop and the facades crack.

 

About The Author

Rick Falkvinge is a regular columnist on TorrentFreak, sharing his thoughts every other week. He is the founder of the Swedish and first Pirate Party, a whisky aficionado, and a low-altitude motorcycle pilot. His blog at falkvinge.net focuses on information policy.

 

 

 

Source: TorrentFreak

Edited May 5, 2014 by shamu726

[davmil]

So, in your opinion, do people have a right to paid for their creative works?

[VileTouch]

So, in your opinion, do people have a right to paid for their creative works?

of course...and so is everybody else...some think they're little special snowflakes but the fact is that whatever you can come up with someone else can do it just as well, or even better (look at popcorn time. had it been made by the movie studios it would have been deemed as the greatest thing since sliced bread) oh but if you insist on only eating bread sliced --and cursed at by chef ramsey you know you are going to pay extra for the privilege. (even though it's the same as any other)... which poses an interesting question: is a lamborghini built in your backyard the same quality as a lamborghini built in bologna,italia? maybe not, but there IS the business of tuned cars so...maybe

what I am NOT willing to pay extra is for shabby work made by so called "official" sources. i much rather get the chinese copy for a fraction of the price...or free

[davmil]

Why buy an expensive Italian sportscar if you have to hide your face and lie about it's authencity? Is that pride? If you can't hold your head up high and say 'i bought it because i can afford it without sacrifice so I'm XYZ". Is the genuine article not worth more than a cheap/junky Chinese cloan? Copyright infringers steal because they can get away with it, plain & simple. Admit that and live with it.. i'm no angel either and i grow weary of hearing all the excuses and cover-up language.

Funny you should mention China since that's the land of the cheap knock/ripoff, but you already know that. Today I threw out 2 things made there because they lasted about 15 minutes (my wife's hat) and 1 hour (cheap cell phone charger).