Adieu Thrones, bye Avengers—this is the TV/film we’re eyeing for the rest of 2019

[Karlston]

Adieu Thrones, bye Avengers—this is the TV/film we’re eyeing for the rest of 2019

In case you haven't heard, a lot of Star Wars is coming (along with other intriguing stuff).

Coming into 2019, it felt like pop culture only had two things on its mind: the final season of Game of Thrones and the final chapter in Marvel's Avengers saga. Looking back from the half-way point in the year, hey, at least one of those delivered.

 

Of course, pop culture is never that straightforward or simple, and 2019 so far has brought plenty of delightful surprises. Netflix finally hit on another series with the loop-y Russian Doll. Jordan Peele followed up perhaps the most beloved horror movie in years with another winner called Us. And maybe HBO didn't please everyone with the last chapter in Westeros, but seemingly everyone has adored the company's surprise historical hit, Chernobyl, to say nothing of the (currently airing) delightfully weird supernatural comedy, Los Espookys. 

 

But we're getting ahead of ourselves. Around Ars, we don't really indulge in Best Of list-making until December rolls around, and there's a simple reason for that: six more months of highly anticipated stuff and out-of-nowhere surprises await all of us. So as folks work their way through a certain hyped Hawkins, Indiana, show this weekend, don't worry about binging too fast and being without something new and exciting on the horizon. Here's the pop culture from the rest of 2019 that already has us counting down the days.

The trailer for the first season of Mindhunter.

 

Netflix's second-best show?

With Stranger Things' new season out as of this round-up and Mr. Robot's final season not officially pegged to Christmas time yet, the obvious candidates for 2019's best-yet-to-come have been taken off the table. And something like Fantastic Fest—the annual Austin, Texas, genre film event that brought us alien love documentaries, Anne Hathaway as kaiju, and a film entirely set in a 911 dispatch center—can practically top my anticipation rankings every year.

 

So instead, my mind travels back in time to 1970s' Pittsburgh and DC to an unlikely trio trying to read the minds of a more deranged set. Netflix's Mindhunter originally seemed like a quick but forgettable green light: grab a dude from Hamilton, make him some kind of authority figure in a crime thing, and darken up the story a bit. Then I watched the show's first David Fincher-produced season and suddenly understood why everyone obsesses over true crime as a genre. Mindhunter is much, much smarter than your average Law & Order as it follows the origins of the FBI's criminal profiling division while it attempts to understand the known serial killers of the era in order to prevent future ones from striking.

 

Jonathan Groff (the Hamilton guy) plays upstart FBI agent Holden Ford, a man obsessed with the job and with making his way up the bureau food chain. His odd-couple (err, trio) team of Bill Tench (Holt McCallany as a grizzled, skeptical FBI vet) and Wendy Carr (Anna Torv as an academic psychologist in it for the research data) sizzles every time they're interacting in a scene. That's saying something considering how dynamite Ford's direct interactions with killers can be (Cameron Britton is a revelation as serial killer Ed Kemper, an intimidating physical presence happy to indulge in a little narcissistic "talk about yourself" exercise regularly). The show demonstrates, at times in cringing detail, that the line between hyper-focused good guy and demented, dangerous villain may be thinner than anyone cares to admit. And with all-time evil like Richard Speck showing up S1, the stakes are likely about to get even dicier for Ford and co. as they move further into the era of Charles Manson et al.
—Nathan Mattise, Features Editor

The one trailer that needs no introduction.

 

Star Wars Episode IX: The Rise of Skywalker

I suspect I will never like the name, no matter how I end up feeling about the film. But Star Wars was foundational media for me as a kid. The first fanwear I ever remember having was a set of R2-D2 Underoos. John Williams' soaring scores are entirely why I ended up playing French horn. The original trilogy, especially the soundtracks, are part of what set me on the path that eventually led to film school, arts criticism, and, indirectly, my entire career.

 

My inner six-year-old is still giddy at what I've gotten to see on the big screen in The Force Awakens and The Last Jedi. And my outer adult is giddy at the fact that I can bring my actual six-year-old daughter with me to see this conclusion in the theater later this year.
—Kate Cox, Tech Policy Reporter

 

All the horror comedies

I'm most looking forward to a couple of quirky entries in the horror/black comedy genre. Up first: Ready or Not, from Fox Searchlight, is slated for theatrical release on August 23, 2019. Grace (Samara Weaving) is thrilled to be marrying into a wealthy gaming dynasty, the Le Domas family. Her eccentric new in-laws insist it's family tradition to play a game at midnight after the wedding; only then will she be a true member of the family. The game: Hide and Seek, except it turns out that Grace is the prey who must elude detection until dawn to avoid being killed in a bizarre ritual sacrifice. The trailer makes this film look smart and wickedly funny, especially given her in-laws' utter incompetence with weaponry. Learn to shoot a crossbow already!

 

From there, I turn to Little Monsters starring Lupita Nyong'o as Miss Caroline, a perky kindergarten schoolteacher who takes her kids on a field trip to Pleasant Valley Farm just as a zombie outbreak occurs. The innocent excursion turns into a bloody fight for survival, and Miss Caroline must protect her young charges not just from the physical threat, but the threat to their innocence. She's helped by a failed musician named Dave (Alexander England), who's tagging along in hopes of winning her affections, and Teddy McGiggle (Josh Gad), a children's entertainer who also has romantic designs on Miss Caroline. Based on footage released by Sundance earlier this year, it looks like a blast—sort of Zombieland meets Kindergarten Cop. And I am here for that. The film doesn't yet have an official theatrical release date, but it's still playing the festival circuit (like Toronto's Fantasia Fest later this month).

 

Finally, the fourth and final season of Preacher debuts on AMC August 4, 2019. It's based on the DC comic series by Garth Ennis and Steve Dillon, and it follows the adventures of Jesse Custer (Dominic Cooper), a conman turned preacher who inexplicably becomes the case host for an entity known as Genesis (i.e., the embodiment of the World of God). That makes him a target for a religious order called the Grail, who wants to wield Genesis for its own nefarious purposes. In our year-end Best of TV list for 2018, we singled out a scene filled with a rapid succession of exploding Messiah clones, trying and failing to serve as host to Genesis. The sequence captured "all the over-the-top irreverence and operatic violence (and sometimes downright sacrilege) that we've come to expect from this singular series."

 

By season three's end, Jesse and the gang were heading for a showdown with Herr Starr (Pip Torrens) and the Grail for control of Genesis. If past seasons are any indication, it's going to be an insane, bloody, unpredictable ride.
—Jennifer Ouellete, Senior Culture and Science Reporter

 

Listing image by YouTube/Sundance Institute

 

The trailer for Ad Astra, which sends Brad Pitt to space.

 

Sadness and Ad Astra

Now that John Wick 3 is out and Midsommar made us soil ourselves, most of the pop culture I'm looking forward to between now and the end of 2019 isn't Ars adjacent. Quentin Tarantino and my fellow Texan Terrence Malick have new movies on the way, but they're both period pieces. Frontman Robert Smith promises that the new album from The Cure will be so bleak and miserable that it'll never be played live. (I can't wait. Sad is "happy for deep people.")

 

But I am also looking forward to the astronaut epic Ad Astra from director James Gray—his work with Joaquin Phoenix (The Immigrant, We Own the Night) is so soulful that I'm eager to see what he and leading man Brad Pitt can do. This won't even be Gray's first movie about an explorer: his previous film, The Lost City of Z, follows a real-life British officer who entered the Amazon in the 1900s looking for fortune and glory only to discover the remnants of a civilization that was more advanced than he could have imagined.

 

I also just heard about , which follows Peace Corps volunteer-turned-energy-entrepreneur Michael Peter Skelly. Skelly was instrumental not just in bringing bike lanes to his adopted home of Houston, but in the Texas wind-power boom of the early 2000s. The book sounds like a spiritual sequel to The Big Rich, Bryan Burrough's magnificent telling of the 20th-century Texas oil boom that stars the namesakes of most street names and buildings in Houston and Dallas.

—Peter Opaskar, Copy Editor

We contain multitudes around Ars, alright?

 

Let's return to Downton

I haven’t actually left Downton yet, but I’m already eager to go back via the big screen. My boyfriend and I are currently watching Downton Abbey for the first time, and it’s quickly become our go-to when we want to feel classy but also need a dose of late-night drama. While I don’t yet know how the series ends, I couldn’t stop myself from watching the movie trailer, which shows the Edwardian-era estate in all its glory as its occupants prepare for a visit from England's king and queen.

 

Thankfully, the movie trailer doesn’t really contain spoilers for the end of the series. I've already learned all I needed to in order to get hyped—all of Downton’s beloved characters are back to prepare the guest rooms, clean the silverware, pour the wine, and cook lavish meals before Her Highness graces the estate with her presence.

 

Despite a decree of being "modern folk," the Crawleys and Downton haven't lost their proper English roots—one of the many aspects of the series that made it so engaging. Lady Mary may have a harsh bob haircut and Lady Edith may be driving a car unaccompanied, but Downton will still pull out all the traditionally excessive stops for the king's and queen's visit. It’s an occasion that seems to perfectly fit the show’s larger-than-life personality.

 

Downton Abbey always felt like it was busting out of my TV—the extravagance of the Crawleys’ lifestyle and the opulence of Downton itself seemed like it was designed for the big screen. Now, we’ll finally get to see it as such. I’m also very ready for some new Dowager Countess zingers.
—Valentina Palladino, Senior Commerce Editor

 

Wait, there's more Star Wars

We have a lot of Star Wars to look forward to by year's end, including a new video game and a trilogy-clinching film. I'll certainly catch both of those, but my interest and intrigue is wrapped up in The Mandalorian, the Star Wars empire's first live-action TV series (Christmas Special jokes notwithstanding).

 

The Disney powers that be revealed a ton about this series during April's Star Wars Celebration events, including an eight-minute teaser video (whose leak, amazingly, is still online as of press time if you want to hunt it down yourself). That footage has my attention, because it reveals an interesting combination: Star Wars polish on slow-burning SyFy cheese. A new, overconfident bounty hunter begins the sequence with a search for new work, only to run into surprises and push his luck the entire way. Actors Werner Herzog and Carl Weathers appeared in this introductory sequence and hold their own.

 

This gritty, mystery-filled approach clearly differs from the bounty of Star Wars animated series we've gotten on TV over the years. That fact, coupled with Jon Favreau's involvement as a co-creator and writer, has me hopeful that this new story (set shortly after Return of the Jedi) will recapture the series' glory without the rush and expectations attached to a mainline, numbered sequel. (Plus, with word that Lucasfilm will soon slow its theatrical roll, The Mandalorian is going to really set the tone for what we can expect from Disney+'s other Star Wars offerings.)
—Sam Machkovech, Culture Editor

 

 

 

Source: Adieu Thrones, bye Avengers—this is the TV/film we’re eyeing for the rest of 2019 (Ars Technica)

 

(To view the article's image galleries, please visit the above link)